劇情簡介
天才佐藤KotobukiTamotsu導演拍攝顯眼的粉紅愛的電影業，是四大天王之一間粉紅愛的，恐怖的電影，描繪誰接受激烈的欺負女生的反擊。新少年青沼水木已經被人欺負，每天綾等類，同樣欺負的孩子油桐圖片，結交Shibanai，并決定對試圖綾我們三個人。然而，水木救助林奇的箭頭，我收到了強迫和毆打教師Shibanai和基里的圖片也有一個嗜好怪癖。水木發誓報仇，Magamagashii;Hanatamashi 被附身，水木首先失控的瘋狂釋放出Hanatamashi。 Imaokashinji在音樂;苦役列車
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麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希．皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
保護者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛,濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達,茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick GentaFormer war hero Nikki's peaceful life is shattered when her daughter is kidnapped. Thrust into the criminal underworld while hunted by cops and military, she must fight to rescue her child.
推理要在晚餐后 電影版
櫻井翔,北川景子,椎名桔平,中村雅俊,櫻庭奈奈美,要潤,鹿賀丈史,黑谷友香,甲本雅裕,大倉孝二,兒島一哉,村川繪梨,團時朗,六角精兒,田中要次,伊東四朗,生瀨勝久,竹中直人,宮澤理惠帶薪休假的寶生家族千金小姐麗子（北川景子 飾），好不容易和管家影山（櫻井翔 飾）乘直升飛機趕上了開往新加坡的公主麗子號豪華游輪。她在船上意外見到上司——警視廳國立署警部風祭京一郎（椎名桔平 飾），原來風祭奉市長之命護送純金打造的K獅前往獅城。豪華一流的配套服務，讓游客們樂享其中。可就在燃放煙火的夜晚，一名男子的尸體落入海中，引起不小的恐慌。在此之后，風祭、麗子、影山聯合起來展開調查，而犯罪分子也以全體船員的性命相要挾禁止與外界聯系。 接二連三有人遇害，時間則一分一秒地流逝，影山他們能否解開兇險的謎題？
富二代
Sergey Abroskin,米洛斯·比柯維奇,亞歷山德拉·伯蒂奇,瑪麗亞·米羅諾娃,Aleksandr Oblasov,伊萬·阿赫洛貝斯金,亞歷山大·斯莫勒克格里戈（米洛斯·比柯維奇 Milos Bikovic 飾）是銜著金湯匙出生的千金大少爺，從小就過著嬌生慣養、養尊處優的日子，在蜜糖罐里泡大的格里戈自然培養出了蠻橫嬌縱不學無術的擺爛個性，并且因為他的橫行霸道，惹出了種種的麻煩要他老爸給他擦屁股。終于，在又一次闖禍之后，格里戈的老爸忍無可忍，他決定好好的教育一下自己的兒子。 格里戈的老爸和他的好友——一位精神病學家一起盤下了一座廢棄多年的村莊，將它重新修整成為了19世紀的模樣，之后，兩人策劃了一場車禍，當格里戈從昏迷中醒來后，震驚的發現自己“穿越”回了19世紀，成為了當時的一位有錢人家的奴隸。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
侏羅紀公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾哈蒙德（理查德?阿滕伯勒 Richard Attenborough 飾）立志要建立一個非同尋常的公園：恐龍將是這個公園的主角。他把眾多科學家收歸旗下，利用琥珀里面困住的遠古蚊子體內的血液，提取出恐龍的基因信息，利用這些信息培育繁殖恐龍。結果如愿以償，他把怒布拉島建立成了一個恐龍公園，堅信可以從中賺取大錢。然而，科學家們則憂心忡忡。 不幸的事情果然發生了。雖然公園有電腦系統管理，但卻因為被員工破壞而造成了無法挽救的失控：所有的恐龍逃出了控制區，人們紛紛逃竄卻逃不過恐龍的魔爪。恐龍自相殘殺，人們亦死難無數，最后幸存者寥寥，只得四人逃出生天。怒布拉島上空彌漫著恐怖的氣息。
第18朵玫瑰
尼基·瓦爾迪茲,克里斯·維拉努瓦,Yayo Aguila,蔡·科爾特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas活力少女夢想著一場完美的成人禮，于是與孤獨的新來者達成一項協議，但意外的心動和真相也許會讓計劃徹底泡湯。