欲望裸劇團

? 3.9 播放：91萬 2026-04-22
主演：??? ??? Kurea Hasumi ?? 

和她朋友的朋友參加極端聚會， 在那里，總經(jīng)理Tsubasa脫穎而出，加入了該團。 Tsubasa的樂隊正在裸體表演中吸引觀眾 Tsubasa決定重新挑戰(zhàn)她真正想與Ageha一起玩的真實游戲。 但是，不愿逃脫舊表格的成員抱怨她的新年齡Agaha并騷擾她。 為了極端的性苦難 他努力履行Tsubasa奉獻身體的信念。 結(jié)果，盡管第一個游戲失敗了 阿加哈（Agaha）的口才充斥著口碑和好評。 演出成功后，我對Tsubasa充滿了敬意， 無法接近，他徘徊并引誘了他。 Tsubasa追逐Agatha，看著她的誘惑，但從未接近。 最終，阿吉與愛人在劇院的屋頂上進行了戶外活動，而讓津巴薩看著。 放開戀情，拒絕情人的手 像她扮演的女主人公一樣，她仍然孤獨。

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? 播放 欲望裸劇團

劇情提要

和她朋友的朋友參加極端聚會， 在那里，總經(jīng)理Tsubasa脫穎而出，加入了該團。 Tsubasa的樂隊正在裸體表演中吸引觀眾 Tsubasa決定重新挑戰(zhàn)她真正想與Ageha一起玩的真實游戲。 但是，不愿逃脫舊表格的成員抱怨她的新年齡Agaha并騷擾她。 為了極端的性苦難 他努力履行Tsubasa奉獻身體的信念。 結(jié)果，盡管第一個游戲失敗了 阿加哈（Agaha）的口才充斥著口碑和好評。 演出成功后，我對Tsubasa充滿了敬意， 無法接近，他徘徊并引誘了他。 Tsubasa追逐Agatha，看著她的誘惑，但從未接近。 最終，阿吉與愛人在劇院的屋頂上進行了戶外活動，而讓津巴薩看著。 放開戀情，拒絕情人的手 像她扮演的女主人公一樣，她仍然孤獨。

幕后花絮

有罪，AI如此宣判

新人法官高遠寺圓（芳根京子飾）每日忙于庭審中的證人詢問、審閱證據(jù)與鑒定報告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負責測試性引入法院的AI系統(tǒng)“法神”。當輸入過往審判數(shù)據(jù)后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致，判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已，唯獨圓對“法神”始終心存警惕。 　　圓與臨近退休的法官檜葉共同負責一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數(shù)據(jù)輸入“法神”進行判決模擬，AI瞬間給出的判決是“死刑”。 　　對AI能力深感興趣的檜葉。對AI愈發(fā)警惕的圓。當陪審員們也卷入其中時，人們再度直面探尋真相的艱難困境。究竟誰能辨明真相？是AI？是人類？還是??? 　　這部社會派娛樂作品直面當下以驚人速度滲透社會的AI技術(shù)，深刻叩問使用AI的人類應(yīng)有的姿態(tài)！

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.