赤裸撒旦
肅殺之夜，醫(yī)生威廉·本森（Stelio Candelli 飾）驅車走在蜿蜒曲折的山路上，趕往一個人生地不熟的地方出診。路上他遇見一起車禍，美麗女子蘇珊·史密斯（Rita Calderoni 飾）駕駛的汽車撞在路旁，蘇珊則昏迷不醒。為了尋找援手，威廉來到附近一座陰森古舊的城堡，在里面見到許多詭異的影像。突然，盛裝華麗的蘇珊出現(xiàn)在他面前，并表現(xiàn)出極大的熱情與愛意。威廉完全找不到頭緒，任憑蘇珊擺布。 次日凌晨，車中的蘇珊從昏迷中蘇醒，她踉踉蹌蹌來到古堡，遇見了身著中世紀紳士服裝的威廉，威廉同樣表現(xiàn)出莫名的愛意與激情。似乎，威廉和蘇珊不經(jīng)意間墮入了扭曲的時空，遇見了另一個自己……
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迷妄國度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費南德斯納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.養(yǎng)鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley曼克
加里·奧德曼,阿曼達·塞弗里德,莉莉·柯林斯,查爾斯·丹斯,艾利斯·霍華德,湯姆·派福瑞,塔彭絲·米德爾頓,湯姆·伯克,杰米·麥克沙恩,萊文·蘭賓,托比·萊昂納德·摩爾,山姆·特勞頓,約瑟夫·克羅斯,艾維·約斯特,亞當·沙皮羅,費迪南德·金斯利,保羅·福克斯,娜塔莉·丹尼斯·斯皮爾,里克·帕斯夸隆,保羅·卡拉夫特斯,克里斯蒂安·普倫蒂斯,約翰·李·艾姆斯,金斯頓·凡爾內斯,克萊格·羅伯特·揚,賈可琳·貝瑟尼,卡米爾·蒙哥馬利,克雷格·韋茨巴赫爾,喬安妮·湯姆森,達娜·林恩·拜倫,斯圖瓦特·斯科爾頓,克里斯異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達夫,景瓷,艾然同類推薦
籠困
Arié Elmaleh,Zoé Félix,Goran Kostic20年前，社會主義國家南斯拉夫解體，奉行主義的更迭并未改變東歐這片多災多難土地的命運。戰(zhàn)火持續(xù)，人民罹難。時至今日，硝煙仍未從這里散去。卡蘿爾（祖兒·費利克斯 Zoé Félix 飾）、馬提亞（埃瑞克·薩文 Eric Savin 飾）、薩米爾（Arié Elmaleh 飾）是來自法國的救援小組成員。在完成任務后，他們驅車返回祖國。然而必經(jīng)之路上有士兵把守，為了不浪費時間，薩米爾建議抄小路前進。這一決定將他們引入一條黑暗之途，行至半路，三人被一群全副武裝的不明身份者綁架。在此后的數(shù)日內，他們全被關在不見天日的籠子里。 對于對方的動機卡蘿爾他們全然不知，只有無盡的恐懼伴隨左右，而死神的腳步也在慢慢逼近……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
象山發(fā)光事件
小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉十年前的一次超自然發(fā)光事件導致張鵬（小沈陽 飾）的好友神秘失蹤，十年后，張鵬跟隨攝制組重返事發(fā)地尋找真相。當他們再次來到“發(fā)光禁地”時卻頻繁遭遇離奇恐怖的事件，認知逐漸錯亂、軀體不斷惡化、理性逐步崩壞，禁忌的駭人真相，將不可逆地摧毀一切……光源不再象征安全，請遠離所有發(fā)光體！
我的老婆是明星
周柏豪 ,劉心悠,林德信,蔡潔,蔣志光,李尚正,郭偉亮,葉佩雯,朱薰,李日朗,杜德偉,連詩雅,盧海鵬,林盛斌,邵美琪,車婉婉,莊鍶敏,田啟文,趙碩之,古天祥,符曉薇,黃文慧,余慕蓮,王曉君,李潤庭,可宜朱淇（劉心悠 飾）一直以來都希望成為一名演員，然而，在娛樂圈摸爬滾打浸淫多年，始終缺少一點運氣的她卻依然只能在劇中混得一個跑龍?zhí)椎男〗巧Ｒ淮闻既恢校娪肮镜拇罄习褰芊颍值滦?飾）看中了朱淇，欽點她做一部炒得十分紅火的賀歲片的女主角，朱淇興奮之余害怕自己已婚的身份會影響星途，于是決定隱瞞這一事實。 朱淇的丈夫賴毛（周柏豪 飾）是一名娛樂記者，為了老婆的前途著想，他只能不情不愿的配合著朱淇的腳步。然而，隨著朱淇的走紅，賴毛發(fā)現(xiàn)自己和老婆之間的距離越來越遠，不禁心生疑慮，潛伏劇組之后方才發(fā)現(xiàn)朱淇和杰夫之間竟然有著撲朔不明的曖昧關系。
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.