即刻觀影
劇情賞析
編輯推薦
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國年輕人，躊躇滿志的他加入波士頓黑手黨，決心開創一番事業，卻發現這個犯罪組織早已不復昔日之勇。 于是尼克背著他的老板（《落水狗》、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險的懸崖邊。
毛骨悚然撞鬼經 2025夏季特別篇
小栗旬,上野樹里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希放送作品 黃泉の森（2004年） 行きずりの紊亂者（2004年） 右肩の女（2012年） 顔の道」2009年） 怨みの代償（2009年） S銅山の女（2014年） 或る訳ありの部屋（2025年）
四川好女人
何葦杭,趙若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.
無懼之愛
協塔朋·平朋,翁韋德·答奴翁,安蘇瑪琳·瑟拉帕薩默莎,卡維·丹扎拉嵐,索姆查·肯格拉,????????????? ???????當他們假裝還愛著對方的時候，YouTube上的“丁”和“寶石”情侶?在正式分手前，這對夫婦為了最后一篇內容而放棄了鉆石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教練，他利用孩子作為謀生手段，并打算從妻子那里獲得監護權，他們三個別無選擇，只能互相幫助來完成這次營救任務。當車開走的時候，突然，這個可怕的神秘人從黑暗中冒了出來，導致他的車出了事故，無法繼續前進，他自告奮勇地把這三個人帶到一個偏遠的玉米地的廢棄房子里過夜。面對“Mahathirachai”，一個邪惡的鬼魂，包括房子里的居民，他們既看不見，也看不見。起初，他們認為這所房子里的鬼故事都是由幻象引起的，但當他們發現每個人都和一個來自前國家的鬼魂有關時，他們花了幾百年的時間想要從他們那里得到一些東西!
諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾故事發生在一個南部小鎮的棉織廠，諾瑪（莎莉·菲爾德 Sally Field 飾）和她的家人都在這里工作。這個工廠的工作環境異常惡劣，工人們每天都經受著資本家的無情剝削和艱辛勞動。面對這種不公平的待遇，工人們備受壓迫和困擾。為了改變這種狀況，總工會派來了一名經驗豐富的組織者，希望能夠協助當地工人組織自己的工會，為工人們爭取更好的待遇和權益。然而，工人們對組織者的到來持有懷疑態度，他們心存疑慮，擔心這只是一個無望的嘗試。組織者面臨著許多困難和挑戰。工人們對他進行冷嘲熱諷，老板則用各種無理阻攔來阻礙工會的成立。看到這一切，諾瑪內心充滿了憤慨和不滿。她是一個有著堅強意志的女性，對不合理的事物總是敢于挑戰。受到組織者的激勵和影響，諾瑪最終選擇站出來，成為了改變的先鋒。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.