三十次探索性的機(jī)遇
三十次探索性的機(jī)遇2013性感嬌娃珍妮佛提莉領(lǐng)銜主演 2013年好萊塢最新愛情喜劇,性感嬌娃珍妮佛 主演! 十個(gè)紐約客,三個(gè)夏日,三十次探索性的機(jī)遇。 在曼哈頓,每個(gè)人都被連接由不少于六名度性分離。第一個(gè)遇到的火花一系列的親密和喜劇的時(shí)刻,連接10個(gè)紐約人在愛情和欲望的連鎖反應(yīng)。阿瑟施尼茨勒的戲劇;拉龍德 的啟發(fā),設(shè)置在現(xiàn)今曼哈頓,30次探討了一系列的遭遇十人之間的連接性吸引力,橫跨10個(gè)不同的城市街區(qū)的法律。
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抵擋計(jì)劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現(xiàn)宇,樸真珠,尹斗俊相遇之家
宋智孝,都嬴谞,玉智英,尹惠利我們很危險(xiǎn)
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris毗鄰而居
威廉·菲克納,杰西卡·麥克娜美,珍·路易莎·凱利,邁克爾·羅森巴姆,科林·伍德爾,埃里希·安德森,羅伯特·阿爾茨謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達(dá)里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達(dá),Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos同類推薦
開心鬼撞鬼
黃百鳴,張曼玉,袁潔瑩,陳加玲,徐克,曹查理生前是過氣女歌星的女鬼徐半香(張曼玉),算準(zhǔn)某名將要臨盆的孕婦會于某間醫(yī)院生產(chǎn),準(zhǔn)備投胎重新做人,不想,該孕婦被搖身變作某所高中教師的開心鬼(黃百鳴)送錯(cuò)醫(yī)院,徐半香錯(cuò)過投胎時(shí)機(jī)。 為泄心頭之恨,徐半香開始想方設(shè)法捉弄開心鬼,最甚一次,她附身開心鬼班里女班長(袁潔瑩),令她跑到夜總會稀里糊涂地大鬧了一場,結(jié)果在該家夜總會尋歡作樂的一群流氓被抓,開心鬼受到無辜牽連,徐半香又得意又擔(dān)憂之時(shí),開心鬼卻用愛來感化她,眼看皆大歡喜,出獄后的流氓不請自來。
自殺俱樂部2001
石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa夜色沉沉的東京新宿站,勞碌一天的人們依舊行色匆匆,仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服,似乎早已約好一般同時(shí)來到這里,女孩們在月臺前一字排開,手拉手齊齊跳向飛馳而來的列車。一時(shí)間血光四濺,54個(gè)鮮活的生命瞬間消失。 這一事件轟動全國,與此同時(shí)類似集體自殺的事件愈演愈烈,甚至連調(diào)查此案的警官黑田敏春(石橋凌 飾)及其家人也受到波及。黑田的搭檔涉澤健次(永瀬正敏 飾)通過不懈的調(diào)查,發(fā)現(xiàn)一連串的自殺事件都和一個(gè)名為“自殺俱樂部”的網(wǎng)站有關(guān)。事件的真相究竟如何?慘劇最終能否終止?
犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi一群年輕人在一個(gè)服裝笑話中串謀,以致命的事故和沉默的協(xié)議告終,一群年輕人將受到一位匿名作家的威脅,他想揭露他的黑暗秘密。他們的跟蹤者威脅要在社交媒體上發(fā)布一本以他們?yōu)樵偷难瓤植佬≌f。每一章都會有一個(gè)人死去。由于彼此不信任,這群人將在大學(xué)校園中央開始一場生存之戰(zhàn)。他們中的任何一個(gè)人都有可能成為下一個(gè)受害者,或者兇手。
誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚(yáng),許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林李維杰(肖央 飾)與妻子阿玉(譚卓 飾)來泰打拼17年,膝下育有兩個(gè)女兒,年屆四十的他靠開設(shè)網(wǎng)絡(luò)公司為生,為人也頗得小鎮(zhèn)居民的好感,而這一切美好卻被突如其來的不速之客打破。這個(gè)充斥走私,販毒活動的邊陲小鎮(zhèn),各種權(quán)力交織碾壓公平正義。李維杰的大女兒平平(許文珊 飾)被督察長拉韞(陳沖 飾)的兒子素察(邊天揚(yáng) 飾)迷奸,因反抗誤殺對方。李維杰曾親眼目睹督察長濫用私刑,深知法律無用,為了維護(hù)女兒,捍衛(wèi)家人,李維杰埋尸掩蓋一切證據(jù),在時(shí)間與空間的交錯(cuò)縫隙中,與警方在身心層面,展開了殊死一搏的較量。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.