以藏
日本變態(tài)重口影片；幕末時(shí)期，無(wú)情殺手岡田以藏（中山一也 飾）被官府處死，一縷怨念返回人間，復(fù)活后變成真正的殺人機(jī)器，以;天誅 rdquo;之名向世人展開血腥復(fù)仇。教宗、政客、軍人、警察、武士、親人 各種勢(shì)力的代表紛紛擋在他的面前，但在人斬以藏面前無(wú)一例外變作死尸。在殺戮的過(guò)程中，以藏體內(nèi)的獸性逐漸占據(jù)上風(fēng)，令其痛苦不已。每當(dāng)此時(shí)，其生生世世的伴侶薩婭（桃井薰 飾）則始終伴其左右。最終以藏殺到至高的殿下（松田龍平 飾）面前，發(fā)起最后的攻擊日本著名cult導(dǎo)演三池崇史2004年操刀，集結(jié)當(dāng)下日本眾多實(shí)力派明星，共同打造的爭(zhēng)議之作。
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霹靂大喇叭
洪金寶,張學(xué)友,王祖賢,姜大衛(wèi),馮淬帆,秦沛,胡楓,林正英,元華,元奎,張堅(jiān)庭陳文?。ê榻饘?飾）和張定其（張學(xué)友 飾）只是警隊(duì)中的無(wú)名小卒，卻在機(jī)緣巧合之下被指派到神探（姜大衛(wèi) 飾）手下助其偵破“千面人”之案。沒想到，一場(chǎng)意外中神探不幸喪生，可是，心愿未了的他顯然不愿就此歸去，而是化為冤魂，纏上了陳文俊和張定其兩人，要他們破案為自己報(bào)仇?！ ∩裉酵{陳文俊，若不幫他報(bào)仇，就要破壞他和女友喬娜（王祖賢 飾）之間的姻緣。經(jīng)不住神探的死纏爛打和卑鄙威脅，個(gè)性膽小怕事的陳文俊只能答應(yīng)下來(lái)。就這樣，陳文俊和張定其開始了對(duì)案件的追查，在神探的暗中幫助下，他們最終將罪犯捉拿歸案，陳文俊和喬娜亦有情人終成眷屬。
熊貓計(jì)劃之部落奇遇記
成龍,馬麗,喬杉,于洋,王影璐,張子棟,王成思,柯達(dá),宋木子,馮滿,王星,潘斌龍,于榮光,胡笑源神秘部落規(guī)矩離奇，怪事接連不斷??？熊貓胡胡和國(guó)際巨星Jackie（成龍 飾）意外穿越進(jìn)入與世隔絕的原始部落！擁有大小黑眼圈的憨萌熊貓胡胡竟被奉為“天降神獸”，還被族人們予以重任，堅(jiān)信她能化解部落危機(jī)。為守護(hù)胡胡，Jackie只得與怪異的族人們斗智斗勇：偶爾御風(fēng)飛翔的族長(zhǎng)（馬麗 飾）、偶爾萌猛反差的勇士強(qiáng)杉（喬杉 飾）、偶爾神力附體的王子圖魯（于洋 飾）和全程身手不凡的公主紗依（王影璐 飾），這場(chǎng)奇遇又會(huì)藏著怎樣的爆笑冒險(xiǎn)？胡胡能否化解部落的危機(jī)？神秘的部落背后又會(huì)隱藏著怎樣的古老秘密？
危情蜻蜓
安德麗婭·賴斯伯勒,布蘭達(dá)·布萊斯,杰森·沃特金斯出于對(duì)年邁鄰居艾爾西（布蘭達(dá)·布萊斯飾）所獲照料狀況的厭惡，科琳（安德麗亞·瑞斯波羅格飾）主動(dòng)提出免費(fèi)提供幫助。在茶敘與艱難時(shí)刻中，盡管存在差異，兩人成為了彼此信賴的知己。但科琳的意圖可能并非表面所見。隨著疑云漸起，一項(xiàng)駭人舉動(dòng)觸發(fā)了一場(chǎng)暴力的連鎖反應(yīng)，勢(shì)將無(wú)可挽回地改變這兩位女性的生活。
糖果 ??
崔智友,高東河作為程序員工作的職場(chǎng)媽媽米拉，11歲的兒子?xùn)|明突然被判定為“1型糖尿病”，受到?jīng)_擊。醫(yī)生說(shuō)她一輩子都要注射胰島素，對(duì)此她感到絕望，但她忍住眼淚站了起來(lái)。米拉活用自己曾是工程學(xué)專業(yè)的專業(yè)，引進(jìn)國(guó)內(nèi)未上市的連續(xù)血糖測(cè)定儀，給東明戴上，并聯(lián)動(dòng)監(jiān)護(hù)人遠(yuǎn)程監(jiān)測(cè)血糖。有采血恐懼的東明使糖尿病管理變得容易，米拉的家人從低血糖休克的焦慮中解放出來(lái)。在環(huán)友會(huì)會(huì)員的請(qǐng)求接踵而至后，米拉開始告訴孩子們?nèi)绾沃苯舆M(jìn)口并聯(lián)動(dòng)連續(xù)血糖測(cè)定儀，以幫助他們和兒子遭受同樣的疾病。但是，米拉被指控是未經(jīng)許可的非法醫(yī)療器械，在沒有通關(guān)的情況下進(jìn)口，沒有交稅?！瓰榱思胰耍瑸榱藲g友會(huì)，她與世界對(duì)抗的故事將展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昭和殘俠傳：血染的唐獅子
高倉(cāng)健,藤純子,池部良,津川雅彥,曽根晴美,山城新伍,牧紀(jì)子,萩玲子昭和初期。淺草界隈の左官、大工をまとめ信望を一身に集める鳶政は、今は病身で、後取りの小頭の秀次郎が兵役から帰還してくるのを待っていた。そうした時(shí)、東京で博覧會(huì)が開かれることになり、會(huì)場(chǎng)が上野に決った。上野は鳶政の縄張りだったが、博徒阿久根一家が札束をつんで工事の利権を譲れと言ってきた。これを斷った鳶政は阿久津の子分三日仏に殺された。阿久津はその上、市の土木局長(zhǎng)高見沢と結(jié)託し、鳶政傘下の業(yè)者を買収してしまった。そんなやり方に、阿久津の代貸し重吉とその妹文代は心を痛めていた。重吉は秀次郎とは親友だった。やがて秀次郎が帰ってきた。そして入札は無(wú)事に鳶政一家に落ち、會(huì)場(chǎng)建設(shè)の大工事が始った。そんな時(shí)、音吉が蕓者染次を身請(qǐng)けするため大切な纒を質(zhì)屋の巖源に渡し、それが阿久津の手に渡るという事件が起った。音吉は責(zé)任を感じそれを取り返しに行って殺され、染次も阿久津に身を売る約束で纒を取返したが、音吉の後を追って死んだ。秀次郎たちは阿久津への激しい怒りに駆られたものの、今は工事の方が大切と會(huì)場(chǎng)建設(shè)に全力を注ぐのだった。しかし阿久津たちはそんな鳶政一家に次々と工事の妨害を仕かけてきた。それをじっと耐えていた秀次郎たちだったが、工事現(xiàn)場(chǎng)に放火された時(shí)は勘忍袋の緒を切らした。一方、度重なる阿久津の悪どいやり方に重吉は盃を叩き返し、秀次郎の許に駆けつけた。ちょうど秀次郎は、ひとりで毆り込もうとする鳶政のひとり息子明夫を制し、自分で行こうとしていた。かわりに秀次郎と重吉が阿久津一家に毆り込んだ。二人は思う存分暴れ回り、たちまち修羅場(chǎng)と化したが、その中で重吉が三日仏に殺された。しかし、唐獅子牡丹の刺青を背に暴れる秀次郎に、阿久津も三日仏も倒されていった。