初戀小姐

? 0.2 播放：48萬 2026-04-24
主演：未知

本片根據葛寧寧同名小說改編。暫無內容一個受享樂主義感染的平民女排除世俗，追求自己愛情與幸福的過程中，遇到的各色各等男人。愛與被愛、欺騙與被欺騙、利用與被利用、厭倦與被厭倦。

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? 播放 初戀小姐

劇情提要

本片根據葛寧寧同名小說改編。暫無內容一個受享樂主義感染的平民女排除世俗，追求自己愛情與幸福的過程中，遇到的各色各等男人。愛與被愛、欺騙與被欺騙、利用與被利用、厭倦與被厭倦。

幕后花絮

雙雄出擊

東南亞M國，臥底警員昂基潛伏毒窩查“藍色天堂”配方，遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復仇聯手，闖毒巢、救被拐兒童、斗黑警與毒販，歷經生死終將坤沙團伙擊潰。緝毒信念不滅，兄弟情義滾燙，盡顯邪不壓正的正義力量。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster