劇情簡介
被禁理由：變態家庭的猖獗行為。忌諱時辰：-噴濺，R汁像雨點般灑落，早泄無能的父親，被虐成癮的母親，街頭賣y-的女兒，倍受欺負而毆打母親的男孩以及一個喜歡用石頭攻擊路人的青年演出一部荒謬怪異的電影。整部作品充溢日本式se情與暴力。從開端的忍耐到最后的迸發，片中人物的變態水平都能夠說讓人無法忍耐。四個家庭人物與一位訪問者以黑色詼諧式的演 一個失敗的父親，一個沉湎于海洛英的媽媽，一個老被同學欺負的兒子和做雞的女兒。一個被稱為;訪問者Q 的陌生人，這些人聚到了一起，演繹出一組色情和暴力的鬧劇。
為你推薦
這就是我2026
望月春希,齋藤工主人公賢示自幼飽受性別認同困擾，卻始終未放棄成為偶像的夢想。醫生和田在與賢示相遇后，首次直面性別認同障礙的現實，并以賢示為首例親自主刀的性別重置手術患者。一個選擇活出自我，一個探索“真正的醫療”，兩人在偏見與孤獨中建立起深厚信任與羈絆。 本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術之門的真實故事。
青石鎮傳說
曹衛宇,李培銘,胡亦瑤,張璐瑤,高凱在女兒青蘭頻繁發作邪病、不斷重復詭異兒歌的困擾下，風水師豪哥(曹衛宇 飾)與碼頭工人阿坤、記者大偉一同踏上了前往青石鎮的探險之旅。在這個風水布局精巧、卻氣氛詭異的小鎮上，他們不僅發現了青蘭的姐姐紅蓮的命運，還揭開了鎮上隱藏的驚天秘密。
感染她嘴唇的欲望2025
鵜川もえか,渡邉結衣,原田英里佳,新嘉喜由芽本片改編自寄田みゆき創作的同名漫畫。伊藤早奈是一個可愛的女高中生，生活充滿了快樂，但從未體驗過戀愛的感覺。因為車禍住院的早奈，在醫院里被一個非常漂亮的女生吸引了。于是，一段青澀甜蜜的戀愛開始了！
八棺索財
喻恩泰,曹鶴陽,蘇濛濛一個商業酒店因為三起離奇死亡案件被社會各界所關注，一時間流言四起，有人說這是蓄意謀殺，也有人認為純屬意外，甚至網絡上有神人稱酒店施工曾挖出八具棺材，地形暗合了一個叫“八棺索財”的道家陣法。記者蘇莉、女網紅與其老公陳宇天，兩撥看似不相干的人組成奇葩小分隊，一起走進詭異酒店，等著他們的，是福還是禍？
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設定在16世紀的英國，海盜首領莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領導，繼續在海上進行搶劫商船的行為。為了消滅海盜，沃林率領船隊出海，在航行途中偶然與里奇的“黑天鵝號”，并和其他兩艘船發生了遭遇戰。面臨險境，沃林不得不機智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰斗，里奇最終受到了懲罰，他的“黑天鵝號”徹底被摧毀。與此同時，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉變為敬佩，最終產生了愛慕之情，展開了一場曲折而離奇的愛情故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
校園點將錄
李麗珍,谷峰,何啟南,陳山河,焦姣,陳松伶預科學校若智書院有一群成績堪憂思想活躍的學生，校董家的謝天（何啟南 飾）與謝地兄妹憑借老爸身份，即便留級也不擔心學業；綽號水電工的嘉明為人老實，暗戀同學白逸夢（陳松伶 飾），而白逸夢滿腦子言情幻想，全然沒有留意；李時珍（李麗珍 飾）因為在南太平洋群島旅游，耽誤了開學日，在旅游期間，李時珍結識了香港青年戴運河（陳山河 飾），運河對時珍一見鐘情，不顧家人反對退掉美國大學，趕到香港入讀若智書院。運河的到來令謝天大為緊張，謝天屬意時珍日久，和死黨吳成材一直無法打動芳心，但也不能容忍運河插手。校園內一時掀起了一場多角戀愛的爭奪……校董面對惡作劇的學生們大為光火，聘請軍校老師對書院進行軍事化管理，這引發了學生們的空前團結……