生土
一部再現當代家庭真實情感生活的劇情片,講述了兩個叛逆的女兒和感強的父親從對抗走向和解,找到愛的真諦,選擇人生道路的故事。本科畢業的苗罪香懷揣夢想回到家。父親苗世邦要緊急遷葬早逝廣妻孫艾蘭的骨灰,長女孫曉粟卻拒絕送葬,苗罪香的反抗計劃因此摘淺,苗世邦借此安排女兒婚姻大事的夙愿也沒了著落。在苗罪香力勸下,離家五年的孫曉栗回家送媽媽最后—程。伴隨著苗罪香意外昏迷的變故,孫艾蘭的死因和孫曉栗的身世、苗世邦的絕癥也漸漸浮出水面,苗香霍、孫曉栗和地們各自的男友都面臨艱難的抉擇。在凄美的樹葬儀式間隙,真摯的愛融化了心間久郁的寒冰,迷茫的青春綻放出勇敢和自由的花朵。
播放通道
詳細簡介
熱門影視 大家都在看
有朵云像你
屈楚蕭,王子文,王皓,何藍逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維勇敢的馬隊:伊沃克人歷險記
Eric Walker,沃維克·戴維斯,菲奧紐拉·弗拉納根,蓋伊·博伊德,奧布麗·米勒,伯爾·艾弗斯,Daniel Frishman,黛比·李·卡林頓,托尼·考克斯,凱文·湯普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗搶錢大作戰
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯同類推薦
無法饒恕的愛
薩拉·克利夫蘭,Matt Wells...
忍者刺客49
小杉健,三浦誠己,菜葉菜Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called "SEEK", is grieving over the loss of his girlfriend from a tragic plane accident. The leader of "SEEK",Ryo Mikumo, contacts him for an emergency mission; save a fellow agent, recover a new highly explosive liquid called "RDX@", stop a ruthless Yakuza leader, Sojiro Kotsuki, and his gang before they take over Japan. Although the Ninjas were thought to have disappeared... the new breed of assassins live on helping to protect Japan and all that is right; the Ninjas are coming soon.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
X 放射線
詹姆斯·惠特摩,埃德蒙·戈溫,詹姆斯·阿尼斯,瓊·韋爾登有個驚嚇過度的小女孩在沙漠游走,唯一吐出的只有一個字:怪物!任何50年代恐怖片迷都會馬上告訴你,她所指的”怪物”就是巨蟻,那是在當地核子試爆后的副產品。這些巨蟻非常有組織,嗜肉且體型巨大,約有8到20呎,它們群聚在洛杉磯的下水道系統,彷若一個巨大的螞蟻園區,準備好要接管這個世界。要和這些怪物對抗的人類精英是新墨西哥警署探員詹姆斯惠特摩,聯邦調查局代表詹姆斯亞尼斯,和一對由埃德蒙關恩和喬安妮威爾登所飾的父女檔昆蟲學家。
陰陽師2
野村萬齋,深田恭子,中井貴一,伊藤英明,市原隼人平安時代,百鬼夜行,封鬼儀式正在右大臣藤原安麻呂府邸進行。安麻呂之女日美子(深田恭子 飾)戎裝登場,一箭命中靶心,引來全場驚嘆。這位被喻為“連鬼都不敢接近”的公主,卻令源博雅(伊藤英明 飾)暗自傾心。天現異象,京都騷動,魍魎橫行。平安京已有四人遇害,民間出現驅鬼術士幻角(中井貴一 飾),日美子亦在異象后開始夢游。博雅為此替右大臣來請安倍晴明(野村萬齋 飾)商談。與此同時,宮廷供奉的出云三神器之一草薙劍也出現了異動。晴明受天皇所托,與博雅開始調查種種異況背后出云與大和的隱秘淵源。 博雅和夜彈琵琶的神秘少年須佐(市原隼人 飾)相識為樂友,須佐負傷被日美子所救,三人在右大臣府邸相逢。同一時刻,右大臣主動找到晴明,坦白了十八年前天現異象時,大和攻打出云的事實…… 本片為電影《陰陽師》續作。