劇情縱覽
別名:The Dead Want Women,開始的時尚大廈在1920年的咆哮,一個無聲電影女星交際花,時髦女郎,男人愛他們的人來到他們的最終滅亡。這些幽靈繼續(xù)困擾著整個十年的豪宅。現(xiàn)在,他們已經(jīng)回來困擾和追逐之后的新一代美麗的女孩。死海希望女人!
別名:The Dead Want Women,開始的時尚大廈在1920年的咆哮,一個無聲電影女星交際花,時髦女郎,男人愛他們的人來到他們的最終滅亡。這些幽靈繼續(xù)困擾著整個十年的豪宅。現(xiàn)在,他們已經(jīng)回來困擾和追逐之后的新一代美麗的女孩。死海希望女人!
畫面開始,一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒,一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶,短暫的歇息。稍后,包子蒸熟,女主人端著它來到餐桌前。此時,她的老公已經(jīng)起床,正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽,便匆匆上班去了。失落的女主人拿起最后一個包子,可剛一張嘴包子便大哭了起來。不知為何包子有了生命,而倍感孤獨的女主人格外開心,于是將包寶寶當做自己的孩子撫養(yǎng)。小包子一天天長大,他起初和女主人分外親近,但是他漸漸有了自己的個性,渴望獨立,渴望遠行……本片是《超人總動員2》的貼片短片,榮獲奧斯卡電影金像獎最佳動畫短片獎。
一旦領導冒出一句“什么狗屁方案”,你的人生就將陷入無盡循環(huán).....重復的職場里,有人摸魚擺爛,有人趁機搞事,直到同事離奇 “消失”,他才發(fā)現(xiàn)循環(huán)背后藏著公司要命的秘密——想活下來,得先在重復的日子里找到出路……
When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.