上海異人娼館 Les fruits de la passion

5.2 播放：33萬(wàn) 更新：2026-04-24

20世紀(jì)20年代，當(dāng)時(shí)被稱(chēng)為“魔都”的上海黑暗墮落。各方勢(shì)力匯聚于此，暗潮涌動(dòng)，政局動(dòng)蕩不安。沉默的男人斯蒂芬（克勞斯•金斯基 Klaus Kinski 飾）帶著青春美麗的少女O（Isabelle Illiers 飾）來(lái)到上海。他深知O對(duì)自己至純至真的愛(ài)戀，卻十分吝嗇哪怕一丁點(diǎn)的情感。他親手將O送入妓院春桃樓，這里云集著各國(guó)的妓女以及來(lái)自社會(huì)各階層骯臟、下流、變態(tài)的嫖客。清純的O在隔壁斯蒂芬的偷窺下被迫墮落，只求得到愛(ài)人的歡心。春桃樓對(duì)面飯館內(nèi)的男孩王學(xué)迷上了O。他想盡辦法湊錢(qián)，只為與這個(gè)沉默的女孩同床共枕。當(dāng)兩人雨水歡愉之時(shí)，斯蒂芬悲哀的發(fā)現(xiàn)，O的心也許正離自己遠(yuǎn)去…… 本片根據(jù)《O娘的故事》改編。

播放通道

詳細(xì)簡(jiǎn)介

20世紀(jì)20年代，當(dāng)時(shí)被稱(chēng)為“魔都”的上海黑暗墮落。各方勢(shì)力匯聚于此，暗潮涌動(dòng)，政局動(dòng)蕩不安。沉默的男人斯蒂芬（克勞斯•金斯基 Klaus Kinski 飾）帶著青春美麗的少女O（Isabelle Illiers 飾）來(lái)到上海。他深知O對(duì)自己至純至真的愛(ài)戀，卻十分吝嗇哪怕一丁點(diǎn)的情感。他親手將O送入妓院春桃樓，這里云集著各國(guó)的妓女以及來(lái)自社會(huì)各階層骯臟、下流、變態(tài)的嫖客。清純的O在隔壁斯蒂芬的偷窺下被迫墮落，只求得到愛(ài)人的歡心。春桃樓對(duì)面飯館內(nèi)的男孩王學(xué)迷上了O。他想盡辦法湊錢(qián)，只為與這個(gè)沉默的女孩同床共枕。當(dāng)兩人雨水歡愉之時(shí)，斯蒂芬悲哀的發(fā)現(xiàn)，O的心也許正離自己遠(yuǎn)去…… 本片根據(jù)《O娘的故事》改編。

同類(lèi)推薦

大熊

亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet

　　BIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).

金箍上的裂痕

【內(nèi)容由AI生成】畫(huà)手林默在AI霸權(quán)時(shí)代陷入創(chuàng)作焦慮 。西游世界中，真大圣憑借金箍裂痕覺(jué)醒 ，單槍匹馬擊碎黑六耳幻化的巨型機(jī)械妖猴 。隨著妖猴崩解，被囚禁的數(shù)據(jù)化作千萬(wàn)個(gè)神采各異的大圣眾生相。現(xiàn)實(shí)中，林默拒絕AI優(yōu)化并關(guān)上電腦，回歸初心。他在爺爺墓前及街頭孩童揮舞廉價(jià)金箍棒的歡笑中領(lǐng)悟到，AI雖能模擬形態(tài)，卻無(wú)法替代人在不完美中堅(jiān)守本心的“選擇”。

第九區(qū)

沙爾托·科普雷,詹森·庫(kù)伯,娜塔莉·博爾特,茜爾雯·斯特賴克,約翰·薩莫爾,威廉·艾倫·揚(yáng),尼克·布雷克,杰德·布羅菲,路易斯·米納爾,瓦妮莎·海伍德,瑪麗安·胡曼,維多利奧·萊奧納迪,曼德拉·加杜卡,約翰·范·肖爾,斯特拉·斯廷坎普,戴維·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫爾內(nèi)·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基維·馬德拉拉,西雅邦加·拉德貝,梅爾特·西貝爾哈亨,安德勒·奧登達(dá)爾,尼克·伯萊尼,羅伯特·霍布斯

　　1990年，一艘巨大的飛船出現(xiàn)在地球上空，人們惶恐不安，卻又分外好奇。經(jīng)過(guò)一段時(shí)間緊張的等待，外星飛船始終沒(méi)有動(dòng)靜。人類(lèi)終于小心翼翼靠近它，強(qiáng)行走進(jìn)艙內(nèi)，結(jié)果發(fā)現(xiàn)了不計(jì)其數(shù)的外星人。他們形容丑陋，宛如蝦子，而且健康狀況極差，虛弱無(wú)力。原來(lái)這是一群來(lái)自外星的難民，他們最終被地球人接納，并隔離在南非約翰內(nèi)斯堡的一片區(qū)域內(nèi)生活，此地名為“第九區(qū)”。經(jīng)過(guò)長(zhǎng)達(dá)20年的繁衍，外星難民的數(shù)量擴(kuò)張至180萬(wàn)之多，且和周邊人類(lèi)的矛盾沖突不斷，越來(lái)越多的人類(lèi)呼吁將“大蝦”趕出地球。　　MNU（列國(guó)同盟組織）經(jīng)過(guò)磋商，決定將外星難民遷移到更為偏遠(yuǎn)的區(qū)域。MNU外星事務(wù)部門(mén)的特工威庫(kù)斯（Sharlto Copley 飾）專(zhuān)門(mén)負(fù)責(zé)搬遷工作。威庫(kù)斯在動(dòng)員過(guò)程中傲慢隨意，與當(dāng)?shù)鼐用駴_突頻頻。最終，他為自己的行為付出代價(jià)，外星人的神秘流體將其感染，威庫(kù)斯慢慢變成了外星人的模樣……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

死產(chǎn)兒

克里斯蒂·柏克,杰西·莫斯,麗貝卡·奧爾森,邁克爾·艾恩塞德 Michael Ironside,詹·格里芬,希拉·麥卡錫 Sheila McCarthy,肖恩·羅格森,迪倫·普萊費(fèi)爾,Grace Christensen

　　影片講述的是一位新媽媽 Mary （克里斯蒂·柏克 飾）保護(hù)新生兒 Adam（Grace Christensen 飾）的故事。Mary 生了一對(duì)雙胞胎，但其中只有 Adam 存活了下來(lái)。在照顧 Adam 的過(guò)程中她瘋狂地認(rèn)為有某種超自然的實(shí)體在不惜任何代價(jià)地把 Adam 從她身邊帶走。