欲望號快車 Crash

★ 0.3 播放：32萬 更新：2026-04-25

電影制片人詹姆斯（James Spader 飾）沉迷于性事，在女友凱瑟琳之外尚有不少情人。一次開車回家的路上他與另一輛車相撞，詹姆斯腿部重傷，對面車中的夫妻兩人則丈夫死亡妻子海倫（Holly Hunter 飾）負傷，詹姆斯在報廢車場偶遇海倫，兩人由此結識，不久海倫帶他參觀了由醫生沃甘主持的撞車活動，這些愛好者熱衷用真實的撞車還原某些事故，詹姆斯進入了一個匪夷所思的圈子。沃甘身份神秘，宣揚撞車是釋放自我的有效途徑，為此不惜以身犯險。隨著詹姆斯與沃甘的交往不斷加深，兩人終于在車上發生了關系，而隨后沃甘駕車撞擊詹姆斯與凱瑟琳卻致使自己死亡。詹姆斯大難不死后又駕駛者一輛廢舊汽車撞向了凱瑟琳…… 本片獲1996年加拿大吉尼獎導演獎等多項褒獎。

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劇情簡介

電影制片人詹姆斯（James Spader 飾）沉迷于性事，在女友凱瑟琳之外尚有不少情人。一次開車回家的路上他與另一輛車相撞，詹姆斯腿部重傷，對面車中的夫妻兩人則丈夫死亡妻子海倫（Holly Hunter 飾）負傷，詹姆斯在報廢車場偶遇海倫，兩人由此結識，不久海倫帶他參觀了由醫生沃甘主持的撞車活動，這些愛好者熱衷用真實的撞車還原某些事故，詹姆斯進入了一個匪夷所思的圈子。沃甘身份神秘，宣揚撞車是釋放自我的有效途徑，為此不惜以身犯險。隨著詹姆斯與沃甘的交往不斷加深，兩人終于在車上發生了關系，而隨后沃甘駕車撞擊詹姆斯與凱瑟琳卻致使自己死亡。詹姆斯大難不死后又駕駛者一輛廢舊汽車撞向了凱瑟琳…… 本片獲1996年加拿大吉尼獎導演獎等多項褒獎。

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

77號頂層公寓

　　Luna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.

猩球崛起：新世界

　　故事設定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進化為高級智慧生物的猿類一躍成為食物鏈頂端的王者。時移世異，暴虐的猿類首領賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起，這是世界新秩序誕生的黎明時分。神秘的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現，引起了賽撒的警覺。她似乎掌握著一個巨大的秘密，不僅關乎人類的存亡，甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運交匯，揭開了一段冒險的旅程。