　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

溫泉鯊

在S縣暑海市發(fā)生了一起連環(huán)失蹤案件，受害者的遺體竟然都在海中被發(fā)現(xiàn)。為了揭開真相，警察署長與海洋生物學(xué)博士聯(lián)手展開調(diào)查，最終他們發(fā)現(xiàn)，遠(yuǎn)古鯊魚通過溫泉來回穿梭，襲擊了無辜的市民…

熱血敢死隊

　　1936年冬，抗聯(lián)戰(zhàn)士劉文澤等人于林海雪原伏擊日軍，欲奪回被竊國寶，卻發(fā)現(xiàn)是贗品。他們與渡邊一郎部周旋，多名戰(zhàn)友犧牲，后在情報員老吳、僧人觀空協(xié)助下找到地宮。最終眾人與日軍激戰(zhàn)殉國，而他們用生命守護(hù)的國寶，50年后在般若寺遺址重現(xiàn)。

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新年伊始不合適也要有個限度！～不能認(rèn)真聊聊嗎？～