紅杏初戀

7.1 播放：13萬 更新：2026-04-23
主演：Sylvia Kristel Nathalie Delon Jon 

Charles暫無內(nèi)容is暫無內(nèi)容wealthy,暫無內(nèi)容a暫無內(nèi)容French暫無內(nèi)容venture暫無內(nèi)容capitalist暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容1830s;暫無內(nèi)容he's暫無內(nèi)容also暫無內(nèi)容an暫無內(nèi)容aristocratic暫無內(nèi)容assassin,暫無內(nèi)容prompting暫無內(nèi)容duels暫無內(nèi)容for暫無內(nèi)容political,暫無內(nèi)容monetary,暫無內(nèi)容and暫無內(nèi)容sexual暫無內(nèi)容gain.暫無內(nèi)容At暫無內(nèi)容his暫無內(nèi)容aunt's,暫無內(nèi)容he暫無內(nèi)容meets暫無內(nèi)容Madame暫無內(nèi)容Mathilde暫無內(nèi)容LeRoi,暫無內(nèi)容a暫無內(nèi)容virtuous暫無內(nèi)容and暫無內(nèi)容beautiful暫無內(nèi)容woman,暫無內(nèi)容and暫無內(nèi)容he暫無內(nèi)容determines暫無內(nèi)容to暫無內(nèi)容seduce暫無內(nèi)容her.暫無內(nèi)容Along暫無內(nèi)容the暫無內(nèi)容way,暫無內(nèi)容his暫無內(nèi)容lust暫無內(nèi)容and暫無內(nèi)容game暫無內(nèi)容playing暫無內(nèi)容give暫無內(nèi)容way暫無內(nèi)容to暫無內(nèi)容love.暫無內(nèi)容One暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容partners暫無內(nèi)容in暫無內(nèi)容crime暫無內(nèi)容and暫無內(nèi)容seduction,暫無內(nèi)容a暫無內(nèi)容decaden...

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Charles暫無內(nèi)容is暫無內(nèi)容wealthy,暫無內(nèi)容a暫無內(nèi)容French暫無內(nèi)容venture暫無內(nèi)容capitalist暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容1830s;暫無內(nèi)容he's暫無內(nèi)容also暫無內(nèi)容an暫無內(nèi)容aristocratic暫無內(nèi)容assassin,暫無內(nèi)容prompting暫無內(nèi)容duels暫無內(nèi)容for暫無內(nèi)容political,暫無內(nèi)容monetary,暫無內(nèi)容and暫無內(nèi)容sexual暫無內(nèi)容gain.暫無內(nèi)容At暫無內(nèi)容his暫無內(nèi)容aunt's,暫無內(nèi)容he暫無內(nèi)容meets暫無內(nèi)容Madame暫無內(nèi)容Mathilde暫無內(nèi)容LeRoi,暫無內(nèi)容a暫無內(nèi)容virtuous暫無內(nèi)容and暫無內(nèi)容beautiful暫無內(nèi)容woman,暫無內(nèi)容and暫無內(nèi)容he暫無內(nèi)容determines暫無內(nèi)容to暫無內(nèi)容seduce暫無內(nèi)容her.暫無內(nèi)容Along暫無內(nèi)容the暫無內(nèi)容way,暫無內(nèi)容his暫無內(nèi)容lust暫無內(nèi)容and暫無內(nèi)容game暫無內(nèi)容playing暫無內(nèi)容give暫無內(nèi)容way暫無內(nèi)容to暫無內(nèi)容love.暫無內(nèi)容One暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容partners暫無內(nèi)容in暫無內(nèi)容crime暫無內(nèi)容and暫無內(nèi)容seduction,暫無內(nèi)容a暫無內(nèi)容decaden...

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筆仙2004

李世恩,金圭莉

　　從漢城轉(zhuǎn)學(xué)到父母家鄉(xiāng)的高中后，李玉甄（李世恩 飾）受到班里四個(gè)女生的欺負(fù)，為了報(bào)復(fù)，她和另外兩個(gè)也常受她們欺負(fù)的同學(xué)玩起請(qǐng)筆仙的游戲，筆仙請(qǐng)來后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個(gè)女生中有三人相繼以自焚的方式死去，警察調(diào)查后，將目標(biāo)人物鎖定為李玉甄，可是此時(shí)李玉甄已 完全喪失記憶。　　新調(diào)來的美術(shù)老師李恩珠（金圭莉 飾）第一天上課點(diǎn)名時(shí)，喊到29號(hào)金仁淑的名字時(shí)，全班同學(xué)厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發(fā)現(xiàn)有關(guān)金仁淑的秘密，而這個(gè)秘密，也與李玉甄及死去的三名女生有很大干系。

?校正單元?

Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin Jones

　　A group of violent and misguided young offenders are experimented on using brutal AI technology at a sinister institute.

留校聯(lián)盟

保羅·吉亞瑪提,多米尼克·塞薩,達(dá)明·喬伊·倫道夫,卡麗·普雷斯頓,布雷迪·赫普納,伊恩·多利,吉姆·卡普蘭,邁克爾·普羅沃斯特,安德魯·加曼,納希姆·加西亞,斯蒂芬·索恩,吉蓮·韋格曼,泰特·多諾萬,達(dá)比·莉莉·李-斯塔克,比爾·穆托斯,達(dá)斯汀·塔克,胡安妮塔·珀?duì)?亞歷山大·庫(kù)克,利茲·畢曉普,科爾·特里斯坦·墨菲,威爾·薩斯鮑爾

 預(yù)科學(xué)校巴頓學(xué)院的老師保羅（保羅·吉亞瑪提 飾）不太受歡迎，不管是學(xué)生、老師還是校長(zhǎng)，都不太喜歡他，他們覺得他浮夸又僵化。在1970年的圣誕假期，保羅留在了學(xué)校監(jiān)督無法回家的學(xué)生。幾天后，只有一個(gè)學(xué)生留了下來——一個(gè)名叫安格斯的15歲搗蛋鬼，他是一個(gè)被不良行為破壞的好學(xué)生，總是在被開除的邊緣試探。與保羅和安格斯一起留下的還有學(xué)校廚師長(zhǎng)瑪麗，一個(gè)為特權(quán)階層的兒子們提供服務(wù)的非裔美國(guó)婦女，她自己的兒子最近在越南失蹤了。這三個(gè)截然不同的失意者組成了一個(gè)奇怪的圣誕家庭，在新英格蘭大雪紛飛的兩個(gè)星期里，分享著不幸經(jīng)歷，并意識(shí)到他們中沒有人感謝自己的過去。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

ChaO，我代表人類跟人魚結(jié)婚了

鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕

　　人間と人魚が共存する未來社會(huì)を舞臺(tái)とする本作。船舶を製造する會(huì)社で働くサラリーマンのステファンは、ある日突然、人魚王國(guó)の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。