官能教室：愛的技巧
高中生魚住勇夫（中村良二 飾）即將迎來(lái)高考，但他此時(shí)的心緒已不在學(xué)業(yè)上，美麗的女老師菊地育子（田中真理 飾）令他魂?duì)繅?mèng)繞，無(wú)法自拔。畢業(yè)于體育大學(xué)的育子美麗干練，她是學(xué)校排球部的老師，其逼人的美艷氣息吸引著男學(xué)生們的注意。令這群男孩懊惱的是，育子老師正在和化學(xué)老師森本徹郎（益富信孝 飾）談戀愛，并已到了談婚論嫁的地步。森本形容丑陋猥瑣，不過卻天賦異秉，使得男孩們?cè)谒媲跋嘈我娊I。他們使出各種手段試圖拆散這對(duì)情侶，但所有的計(jì)謀最終全部落敗，育子對(duì)森本情深意篤，不離不棄。 魚住深愛育子無(wú)法自拔，迷亂之際，
即刻觀影
劇情賞析
編輯推薦
遠(yuǎn)山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年，英國(guó)。一位年輕有抱負(fù)的日英混血作家準(zhǔn)備書寫其母親——1952年，英國(guó)。戰(zhàn)后移英的日本婦人悅子，因長(zhǎng)女自殺而憶起在長(zhǎng)崎的最后一段時(shí)光。悅子與婦人幸子相遇，幸子也準(zhǔn)備和女兒出國(guó)，對(duì)新生活翹首以待。然而，作家在拼湊線索及母親的記憶碎片時(shí)，漸漸發(fā)現(xiàn)母親的記憶與現(xiàn)實(shí)相左.…..石川慶改編諾貝爾文學(xué)獎(jiǎng)得主石黑一雄早年同名原著，雙線刻劃戰(zhàn)后女性掙扎求存之境，表面平靜實(shí)質(zhì)波瀾不休，折射出大時(shí)代下壓抑而沉重的集體記憶與痛苦。
猩球崛起2：黎明之戰(zhàn)
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯十年前，人類為自己的愚蠢付出慘痛代價(jià)，兇險(xiǎn)致命的猿流感病毒蔓延全球，世界毀滅殆盡。而在毗鄰舊金山的原始叢林，凱撒（安迪·瑟金斯 Andy Serkis 飾）帶領(lǐng)猩猩伙伴們建立起無(wú)憂無(wú)慮的王國(guó)，直到某一天，猩猩的家園的寧?kù)o再度被人類打破。在舊城茍延殘喘的人類面臨能源危機(jī)，他們?cè)噲D利用森林腹地大壩的發(fā)電站提供能源。青年科學(xué)家馬爾科姆（杰森·克拉科 Jason Clarke 飾）試圖說服聚集地負(fù)責(zé)人德里弗斯（加里·奧德曼 Gary Oldman 飾），希望通過和平手段取得猩猩部落的信任和同意。然而凱撒的好盟友科巴（托比·凱貝爾 Toby Kebbell 飾）卻無(wú)法摒除對(duì)人類的憎恨，他嘗試著挑戰(zhàn)者凱撒的權(quán)威?！ ∪祟惡托尚?，雙方小心翼翼試探，而戰(zhàn)爭(zhēng)在所難免……
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭（袁百梓卉 飾）擁有著一段悲慘的童年，很小的時(shí)候，她就失去了母親，然而莫蘭始終都不知道母親究竟為什么會(huì)死，這場(chǎng)悲劇成為了莫蘭內(nèi)心里最大的謎團(tuán)和黑洞。時(shí)間一年一年的就這樣過去，一轉(zhuǎn)眼莫蘭便已經(jīng)長(zhǎng)成了亭亭玉立的少女，只是，她從未放棄過想要調(diào)查當(dāng)年事件真相的額念頭?！ ∫直ｂ?飾）是莫蘭的師叔，在泰國(guó)經(jīng)營(yíng)著一家按摩院。莫蘭千里迢迢遠(yuǎn)赴泰國(guó)尋找尹正，想要借助他的力量開始調(diào)查。哪知道來(lái)到泰國(guó)后，莫蘭的身邊開始接二連三的發(fā)生科學(xué)無(wú)法解釋的詭異事件，甚至還發(fā)生了命案，而這一切都和母親當(dāng)年的死因有著千絲萬(wàn)縷的關(guān)聯(lián)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes探索現(xiàn)代浪漫的起起落落。
幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛(wèi)·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩《幸存者》講述了十億年前，外星異種來(lái)地球，進(jìn)行各種生物培育，因?yàn)榈貧み\(yùn)動(dòng)劇烈，被火山巖漿淹埋?；臎龅谋睒O科學(xué)探測(cè)站內(nèi)，正歡呼石油的到來(lái)，鉆臺(tái)無(wú)故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時(shí)失去控制，當(dāng)站長(zhǎng)亞當(dāng)、凱特等反應(yīng)過來(lái)，并組織起武裝防衛(wèi)時(shí)，95%的人們成了無(wú)辜冤魂，血肉模糊、腦髓迸射；不可抗力的人類浩劫就此爆發(fā)，從北極向全球瘋狂蔓延……