愛的健身房

8.1 播放:74萬 更新:2026-04-22

在健身房里有一些特別有趣的東西。

即刻觀影

劇情賞析

在健身房里有一些特別有趣的東西。

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AUNTY當網(wǎng)紅

亡命競速

Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell

 艾斯與他手下的一隊精英街頭賽車手,在一個神秘組織威脅到他身邊之人時,被迫卷入一項高籌碼任務(wù)。在“四朋友”事件之后,他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會”效力,并被指派去完成一項不可能的工作。然而,當他們不斷突破極限時,卻揭示了一個令人不寒而栗的真相——失敗本就是計劃的一部分。在這場腎上腺素飆升的驚悚之旅中,背叛、速度與生存激烈碰撞,真正的競賽不僅為了勝利,更是為了活命。

邪惡護士2

蒼井空,Ricky Harun,Zidni Adam

  寂靜深夜,Selly(Violenzia Jeanette 飾)、Jack(Ricky Harun 飾)、Tando(Zidni Adam 飾)三名喜好刺激的青年男女駕駛機車飛馳在公路上,突然之間,Selly的機車失控,她摔倒在地,身受重傷,昏迷不醒,Jack、Tando連忙將其送往醫(yī)院。與此同時,來自日本的女孩幸子(蒼井空 飾)正準備和當?shù)氐膶?dǎo)游外出游玩,誰知卻不小心用車門夾上導(dǎo)游的手,語言本就不同的二人也慌慌張張前往醫(yī)院。不久之后,兩組人馬在這間有些陰森的醫(yī)院內(nèi)會合,隱隱約約中,一個留著長發(fā)卻看不清面容的女人不時逡巡在幸子等人的周圍。  對于這幾個有些倒霉的青年來說,恐怖而又爆笑的夜晚正慢慢拉開序幕……

當你約會的時候

  克和茱莉婭因為攝影在網(wǎng)上相識,兩人分享彼此的攝影作品,并且嘗試在網(wǎng)上交往。在朋友的慫恿下,尼克主動約茱莉婭見面,試圖開始真正交往,不料見面后才發(fā)現(xiàn),網(wǎng)上的茱莉婭竟然是自己的前妻,因為事業(yè)觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會,但都因為性格原因?qū)е录s會無疾而終,實則是因為彼此對對方還都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會,朋友們都認為他們非常般配,他們也有意重新開始。在這關(guān)鍵時刻,茱莉婭的前男友出現(xiàn),試圖挽回茱莉婭,而尼克的前女友也又一次聯(lián)系了尼克,他們礙于面子,將復(fù)合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時間后發(fā)現(xiàn)還是忘不了對方,在情人節(jié)的晚上,他們終于放下心結(jié),重新走到一起。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

狼嚎2023

Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke

這是一部只有背景音樂寫實的粗獷毫不妥協(xié)且極具風格的獨立無聲藝術(shù)電影,描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等,改編自古希臘荷馬史詩中的人物故事。