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劇情提要
關于低俗的中等大小,好萊塢公關公司的辦公室內前前后后的軟色情劇。
暗夜精選
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內克,弗蘭西絲·費舍,安娜·萊文,大衛·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯玩命魔術
林更新,劉添月,劉家輝,午馬,周放瀉湖惡棍
珍娜·卡蘭,格雷格·多爾查克,托里·埃利斯邪惡護士2
蒼井空,Ricky Harun,Zidni Adam勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre野蠻的囧妃:時空黑洞
袁曉旭,張嘉佑,胡浩帆,黃一山同系列推薦
口徑
杰克·勞登,馬丁·麥凱恩,托尼·庫蘭,伊恩·皮里,喬治·安東,凱特·布拉肯,泰蕾茲·布拉德利,卡梅倫·杰克洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂人,古原靖久,虎牙光揮狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis開麥了嗎?
威爾·阿奈特,布萊德利·庫珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox幕后花絮
無名之町
退休中學教師神尾英一被人殺害,即將于兩個月后結婚的女兒神尾真世(有村架純 飾)在得知父親突然離世的消息后,返回了自己的家鄉。然而,這座小鎮自疫情蔓延以來,已失去了往日的活力,游客稀少,氣氛沉寂。深受學生們愛戴的教師英一,究竟為何遭人殺害?渴望揭開真相的真世面前,出現 了一位神秘的男子——她的叔叔神尾武史(福山雅治 飾),一位曾在拉斯維加斯享譽盛名的前魔術師…… 本片改編自東野圭吾的同名小說,講述了主人公以觀察人類和誘導審問為武器,和侄女一起解決疑難事件的故事。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster