禁宮八大酷刑之極樂酷刑

? 3.0 播放：34萬 2026-04-22

明朝年間，有一無賴魏進忠(林劍峰飾)仰羨先朝大太監劉瑾(麥家琪飾)之榮華富貴，特意結識孫太監望能引領入宮。一日，魏與孫觀賞奇技淫巧之雜耍表演時，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得悉后哀求魏同赴私奔，出走當晚，泰其向魏施展極樂酷刑秘技，魏獲真傳后，殺掉泰其并割其首級及自宮陽物呈于孫太監以作贖……

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劇情提要

明朝年間，有一無賴魏進忠(林劍峰飾)仰羨先朝大太監劉瑾(麥家琪飾)之榮華富貴，特意結識孫太監望能引領入宮。一日，魏與孫觀賞奇技淫巧之雜耍表演時，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得悉后哀求魏同赴私奔，出走當晚，泰其向魏施展極樂酷刑秘技，魏獲真傳后，殺掉泰其并割其首級及自宮陽物呈于孫太監以作贖……

幕后花絮

列寧格勒牛仔征美記

　　列寧格勒牛仔搖滾樂隊的幾個成員裝扮怪異，戴大墨鏡，燙飛機頭，夸張的火箭鞋就是他們的標志。可在他們的家鄉看不見事業成功的希望，于是他們決定轉戰美國尋求機會，在即將出發的前夜，貝斯手卻被凍死，盡管如此，隊員們還是將他裝入了放滿冰塊的木箱中帶上了旅途。此時同村的一個怪異的啞巴 偷偷跟隨樂隊來到了紐約。紐約的機會并不如他們想象的豐富，困窘的生活仍在繼續，在他們走投無路之時，得到了一個來自墨西哥的婚宴演出機會。于是他們用僅剩的錢從一個美國售貨員（吉姆?賈木許 Jim Jarmusch 飾）手中買了一輛舊車后繼續向墨西哥進發，那里有他們最后的夢想……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.