VN.027-Hana妹

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　從漢城轉(zhuǎn)學(xué)到父母家鄉(xiāng)的高中后，李玉甄（李世恩 飾）受到班里四個(gè)女生的欺負(fù)，為了報(bào)復(fù)，她和另外兩個(gè)也常受她們欺負(fù)的同學(xué)玩起請(qǐng)筆仙的游戲，筆仙請(qǐng)來(lái)后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個(gè)女生中有三人相繼以自焚的方式死去，警察調(diào)查后，將目標(biāo)人物鎖定為李玉甄，可是此時(shí)李玉甄已 完全喪失記憶。　　新調(diào)來(lái)的美術(shù)老師李恩珠（金圭莉 飾）第一天上課點(diǎn)名時(shí)，喊到29號(hào)金仁淑的名字時(shí)，全班同學(xué)厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發(fā)現(xiàn)有關(guān)金仁淑的秘密，而這個(gè)秘密，也與李玉甄及死去的三名女生有很大干系。

　　艾美從又濕又冷的浴缸裡驚醒，發(fā)現(xiàn)自己似乎被軟禁在一所廢棄的學(xué)校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫(yī)生，同時(shí)也是妻子和悲傷的母親，始終無(wú)法認(rèn)清兒子因?yàn)橐馔庖验L(zhǎng)眠的事實(shí)，並認(rèn)為兒子也被困在學(xué)校裡面。在這充滿敵意、超自然煉獄般的學(xué)校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學(xué)校」的規(guī)則，隨著艾美遇到住在「學(xué)校」的恐怖邪惡生物，令人畏懼的超自然力量與內(nèi)心恐懼接踵而至，到底她對(duì)抗的是這些恐怖的生物，還是自己的心魔呢?

 阿姆斯特丹，兩個(gè)男人愛(ài)上了同一個(gè)女人，注定了一段糾纏的故事。惠瑛（全智賢飾）是畫家，每天到廣場(chǎng)幫路人畫肖像，而像她一樣風(fēng)雨不改的，還有某人送來(lái)的一盤雛菊。每天雛菊總是準(zhǔn)時(shí)送到，讓她心里悸動(dòng)而好奇。一天，匆匆而過(guò)的正佑(李成宰 飾)遇上了畫家。他本是國(guó)際警察，來(lái)這個(gè)城市追捕殺手，然而卻迷上了溫婉動(dòng)人的惠瑛，他讓惠瑛幫他描肖像，他們的愛(ài)情在萌發(fā)盛開。這些情景，送花人看在眼里，痛在心里。他的身份注定了他必須給正佑讓出位置，對(duì)惠瑛默默付出。因?yàn)椋褪钦铀鶎ふ业臍⑹謽懔x(鄭宇成 飾)。但是，強(qiáng)烈的愛(ài)終究讓他不再躲在暗處，他決心爭(zhēng)取幸福。二人在法律上，感情上的鮮明對(duì)立，注定了不能完滿的結(jié)局，鮮血在惠瑛描有雛菊的花布上蔓延開來(lái)……