虐之戀1993
《虐之戀1993》是由李修賢,黃秋生,李美鳳,紀家發,李華月,夏萍等主演,翁玉(李美鳳暫無內容飾)本來生活在一個幸福的家庭之中,丈夫阿森(黃秋生暫無內容飾)年輕有為,兒子活潑可愛。然而,不幸的是,阿森竟然擁有性虐待的癖好,每晚,翁玉都要面對來自丈夫的慘無人道的羞辱和折磨。翁玉的母親身患頑疾,唯有阿森能夠得到治病的良藥,因此翁玉只能默默忍受前者的暴力。某日,忍無可忍的翁玉第一次反抗了阿森,兩人追打至街角,遇見了剛好路過此地的探員阿雄(李修賢暫無內容飾)。阿雄十分同情翁玉的遭遇,之后將翁玉和她的兒子藏在了女友珍妮家中。哪知道阿森找到了翁玉的母親,以此要挾妻子現身,他打算帶著妻子和孩子同歸于盡。
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劇情提要
《虐之戀1993》是由李修賢,黃秋生,李美鳳,紀家發,李華月,夏萍等主演,翁玉(李美鳳暫無內容飾)本來生活在一個幸福的家庭之中,丈夫阿森(黃秋生暫無內容飾)年輕有為,兒子活潑可愛。然而,不幸的是,阿森竟然擁有性虐待的癖好,每晚,翁玉都要面對來自丈夫的慘無人道的羞辱和折磨。翁玉的母親身患頑疾,唯有阿森能夠得到治病的良藥,因此翁玉只能默默忍受前者的暴力。某日,忍無可忍的翁玉第一次反抗了阿森,兩人追打至街角,遇見了剛好路過此地的探員阿雄(李修賢暫無內容飾)。阿雄十分同情翁玉的遭遇,之后將翁玉和她的兒子藏在了女友珍妮家中。哪知道阿森找到了翁玉的母親,以此要挾妻子現身,他打算帶著妻子和孩子同歸于盡。
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鐵拳硬漢
山東豪杰許良東,在上海灘從碼頭苦力逆襲為商界巨擘,橫掃仇敵關無極。正當他聯手大世界喬爺掌控商界時,英國勢力攜鴉片卷土重來。昔日兄弟馬遠竟被毒品控制,倒戈相向!喬爺慘死,許良東遭全城通緝…面對家國大義與兄弟情仇,他如何守住國門,書寫漕運傳奇?