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時間浪人之愛你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀陽木該片劇情主要講述了一個現代花花公子楚留香每天周旋于多個情人之間，某天意外被情人們發現后將他扔下懸崖，等他醒來時發現自己竟離奇穿越到古代，并且被將軍府千金杜鵑兒帶回去做家丁，而更加不可思議的是，他發現杜鵑兒竟然也是從現代穿越來的，隨后兩人就發生了一段“山路十八彎，蕩氣回腸”的另類穿越愛情故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
京都球俠
張豐毅,陳佩斯,姜昆,寶麗娜·拉芳,孫敏,于紹康,王姬,劉江,唐杰忠,里坡,管宗祥,歐陽奮強,高強,高保成,于凌達,曹蓬,王建軍,李德華,袁茂川,蔣德鑫,劉斌,王哲元清朝末年，歐洲足球隊海盜隊來華時和駐華外國使館聯隊進行了一場比賽。比賽引來了大批民眾和朝廷官員觀看，海盜隊獲勝后，隊長哈里為博取女友詹尼一笑，竟然用力將球踢向圍觀的群眾和朝廷官員。就在一眾外國人哈哈大笑之時，人群中竄出一名大漢，他叫周天（張豐毅 飾），他以高強的球技回敬了哈里。詹尼見此教唆哈里向中方挑戰，于是一場中外足球賽大戰在即。原來周天是一位曾留學牛津大學并曾擔任清朝翰林院編修的進步青年，他深知中、外足球水平的據，單憑一己之力很難為中國人出一口氣。于是，周天踏上了訪尋民間球俠、為國增光的道路。
最后命令
埃米爾·雅寧斯,艾弗琳·布倫特,威廉·鮑威爾一個臨時演員被召去在一部關于俄國革命的電影中扮演一名將軍,然而,他并不是一位普通的臨時演員,他就是謝爾蓋·亞歷山大,尼古拉斯沙皇時期的一位前將軍。他在1917年共產主義革命后從俄國軍隊里逃到了好萊塢。現在,為了使電影的導演,一個也曾參加過俄國革命的人滿意,他被迫要去重新 經歷那一段曾帶給他無窮苦痛的生活。這一次,這個倒霉的將軍有機會去“贏得”那曾經一敗涂地的戰役。電影閃回到亞歷山大在俄戰中的艱難生活。他感到無論他怎樣努力,似乎都無法阻止歷史的車輪滾滾向前。但是有一個女孩理解他,因為他的強烈的愛國精神和正派的行為,這個女孩愛上了他……
最后幸存者
德魯·凡·阿克爾,艾麗西亞·希爾維斯通,史蒂芬·莫耶,馬克·法姆吉列蒂,本杰明·亞瑟,Akaash Yadav,Simon LeesThe pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.