親密罪案

? 8.3 播放：11萬 2026-04-22

為了穩住情婦，不知內情的克勞迪婭在海灘上險遭她丈夫雇用的保鏢強迫。但是，保鏢恰好正是個非常有魅力的男人，克勞迪婭無法抗拒。她無法預料，丘比特的箭帶來的還有殺身之禍...... 　　

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? 播放 親密罪案

劇情提要

為了穩住情婦，不知內情的克勞迪婭在海灘上險遭她丈夫雇用的保鏢強迫。但是，保鏢恰好正是個非常有魅力的男人，克勞迪婭無法抗拒。她無法預料，丘比特的箭帶來的還有殺身之禍...... 　　

幕后花絮

?；ㄅc野出租

　　野出租司機雷小軍結識?；ê蟮碾x奇經歷。一個野出租屌絲男，意外地得到了校花的青睞，正當兩人更近一步時，校花卻離奇失蹤了……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster