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暗夜鬼抓床
肖娜·麥克唐納,Leah McNamara,羅斯·諾貝爾懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達·佩德爾維茨走火交易
恩佐·科倫蒂,薩姆·賴利,邁克爾·史麥利,布麗·拉爾森,基里安·墨菲,艾米·漢莫,沙爾托·科普雷,巴布·塞賽,諾亞·泰勒,杰克·萊諾,馬克·蒙迪歐,帕特里克·博金,薩拉·德,湯姆·戴維斯致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特邊境戰爭2
瓦倫·達萬,桑尼·戴爾,迪爾吉特·多桑,阿汗·謝迪,Hariom Kalra,莫娜·辛格,索納姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕蘭維爾·切瑪,阿努拉格·阿羅拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩鈉,袁富華,林燕玲同類精選
影視排行
鱷魚萊萊
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費格雷,布倫特·吉爾曼,薩爾·維斯庫索,多恩·迪皮塔,尤西·丘辟特,科拉·林德爾,馬克·威爾斯,林賽·莫澤,丹尼·所羅門影片改編自風靡全球的同名繪本系列,肖恩·蒙德茲獻聲演唱鱷魚萊萊。 故事講述了小男孩喬什·普利姆跟隨父母舉家搬進大城市的新居,和一只住在閣樓上、能舞會唱的鱷魚成為好朋友的奇遇故事。自帶歡樂屬性的鱷魚萊萊治愈了難以適應新環境的喬什,喬什也努力消除父母對萊萊的偏見。兩小只開啟前所未有的都市歷險,歷經重重歡樂鬧劇,萊萊與普利姆一家最終成為了彼此的家人與伙伴。
旅途中的日子
沈恩敬,堤真一,河合優實,高田萬作,佐野史郎,齊藤陽一郎,松浦慎一郎,足立智充,梅舟惟永,柴田貴哉,中村祐太郎,貝拉·梅改編自柘植義春的漫畫《海邊的抒景》《混沌洞的笨先生》,講述郁郁不得志的李編劇因緣際會來到一個大雪紛飛的深山中,誤打誤撞進入了一家破舊的旅館。屋頂幾乎被積雪壓塌,旅館的老板笨造看起來毫無干勁,旅館里沒有暖氣,飯菜也馬馬虎虎,連床鋪都得自己鋪。然而,笨造似乎藏著什么秘密。某天晚上,笨造帶著李踏入了夜晚雪原……
絕命47小時
亞歷山德里婭·德伯里,艾莉·瑪麗·埃文斯,湯姆·普羅克特,Amanda Marie Wilkinson,布賴恩·馬西,Annie Hamilton,Natalie Dickinson,盧克·謝爾頓 Luke Shelton,Julia Lashae,Zach Rose兩個不善社交的少女,一天晚上無聊,轉向互聯網尋找恐怖故事。他們在一個令人毛骨悚然的網絡上找到了一個游戲,聲稱你可以用你的手機來召喚超自然...如果你輸了比賽...你失去了生命
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.