劇情簡介
取材于漫畫，一個女孩為了生存在澀谷出賣她的身體。暫無內容;在過去的兩個星期后離家出走，在街上幸存下來由香已在澀谷靠賣她的身體。她認為所有的人都是白癡，從自己的經驗和他們作為一個暴力的中年男子，和她工作的兼職強迫她與他發生關系，以換取租金的店鋪經理等。她可以信任的唯一的人是她最好的朋友，左恭。有一天，她和另外一個女孩，Maika，被男人強奸。這是一個電影的一個真實的故事的
為你推薦
小鎮殺手
尼可拉斯·布若,烏爾里奇·湯姆森,Mia Lyhne,琳恩·瑪麗亞·克里斯滕森,馬辛·多洛辛斯基,Gwen Taylor,索倫·莫靈,碧爾特·諾伊曼,Ole Thestrup,Elsebeth Steentoft,Joel Spira,珍斯·安德森,Alexander Behrang Keshtkar,約翰·路易斯·施密特,Mikkel Arendt,金·柯爾德「商場得意，情場失意。」用這句話形容商人伊博和愛德華，尚嫌太客氣。兩人一個胖、一個魯，成天插科打諢，滿腦子性愛。偏偏老婆不領情，夜里不給碰就算了，平時還酸言酸語刺激魯蛇纖細的腦神經，不但贊不絕口舞蹈教練的性感魅力，還大肆嘲弄老公薄弱的性能力，激得兩人火冒三丈，一不做二不休，上網找幫手，大老遠請來俄羅斯殺手干掉枕邊人！ 殺手伏特加當水喝，殺人當日常，醉起來像瘋狗；兩人正懊悔想趕他走，殺人計劃卻已失控出手。但千萬別小看老婆的智商，她們也不甘示弱，要以其夫之道還治其夫之身。本該由愛生性的婚姻，卻因性生活不順而跑出恨與殺機，冷血殺手起手無回，枕邊人的性命保還是不保？ 布魯塞爾奇幻影展最佳歐洲電影，各式殺人技法神展開，保證令你笑開懷。
阿里
安德拉尼克·馬奈,帕斯卡爾·雷內里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena阿里曾是一位年輕的教師，他辭去了工作，卻被父親無情地趕出了家門。在感到迷茫和孤獨之際，他重新找到了舊友，這一舉動觸發了他一段深刻的自我探索之旅。
神奇柑仔店真人版
天海祐希,大橋和也,伊原六花,上白石萌音,平澤宏宏路,伊禮姬奈,白山乃愛,番家天嵩,今濱夕輝乃,山本未來,渡邊圭祐,田中里衣,大河原次郎改編自暢銷兒童小說，本片以只有幸運的人才能到達的粗點心店為舞臺，描繪了購買了紅子推薦的可以實現愿望的“不可思議的粗點心”的人們的故事。
康普茶
Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne這是一種名叫康普茶的飲料，它可以改變人的思維，使員工工作到死。
消失的證據
鄭媛元,王帥,高迦瀾妹妹石晗離奇“自殺”，疑點重重。姐姐石嵐毅然踏上追兇之路，她孤身對抗惡勢力，艱難收集證據，最終在絕境中完成復仇，將施暴者一一繩之以法。影片不僅是一場酣暢淋漓的罪案追兇，更深刻揭露了人性之暗與正義的重量。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
梵蒂岡錄像帶
杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼安吉拉是27歲的普通女孩，生活平淡無奇。有天，她意外發現與自己親近的人都死于非命。梵蒂岡教徒得知此事后，對安吉拉展開了一系列調查。可這次調查卻引出了安吉拉背后古老的邪惡力量……