自慰書店：一個男人 兩個女人

? 5.0 播放：61萬 2026-04-22

萬金在一場突如其來的事故中失去了知覺，睜開眼睛的那一刻，他發現自己被困在了一本書的未知空間里。 一個神秘的短發女孩接近萬金。 她建議什么都不記得的萬金寫一本自傳來尋找他失去的記憶，萬金的第一個記憶開始于他與一個成熟女人的一場深刻性愛。

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? 播放 自慰書店：一個男人 兩個女人

劇情提要

萬金在一場突如其來的事故中失去了知覺，睜開眼睛的那一刻，他發現自己被困在了一本書的未知空間里。 一個神秘的短發女孩接近萬金。 她建議什么都不記得的萬金寫一本自傳來尋找他失去的記憶，萬金的第一個記憶開始于他與一個成熟女人的一場深刻性愛。

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster