青樓十二房
時(shí)代背景為盛唐之年，當(dāng)時(shí)人民生活富庶，青樓事業(yè)大行其道；于是乎，同業(yè)間為了競(jìng)爭(zhēng)求存，遂奇招百出，當(dāng)中著名的“嘗樂(lè)坊”乃五姑娘（翁虹飾）主持大局，并伙拍設(shè)計(jì)木匠師父剛哥（鄭則仕飾）以獨(dú)特的性器具及淫樂(lè)房間而響負(fù)盛名。一直以來(lái)，剛哥對(duì)少主五姑娘早存愛(ài)意，無(wú)奈五姑娘對(duì)他總是若即若離。剛哥徒兒阿逸（劉的之飾）自小跟隨師父在青樓工作，為人正義，對(duì)被逼賣入嘗樂(lè)坊且慘受五姑娘酷刑虐待的雛妓小青（程雪雁飾）心有好感，終日希望能夠營(yíng)救美人脫離火海，可是始終有心無(wú)力。怎料在一次陰差陽(yáng)錯(cuò)下，竟在嫖客手上奪走小青初夜，因而遭小青誤以為逸乃乘人之危的小人。另一方面，城中出現(xiàn)了一名采花大盜（徐錦江飾），專向青樓姑娘埋手，小青不幸竟成了淫盜的獵物，最終得五姑娘及逸出手相助，才幸免于難，惟正當(dāng)嘗樂(lè)坊眾人慶祝之際……
劇情簡(jiǎn)介
時(shí)代背景為盛唐之年，當(dāng)時(shí)人民生活富庶，青樓事業(yè)大行其道；于是乎，同業(yè)間為了競(jìng)爭(zhēng)求存，遂奇招百出，當(dāng)中著名的“嘗樂(lè)坊”乃五姑娘（翁虹飾）主持大局，并伙拍設(shè)計(jì)木匠師父剛哥（鄭則仕飾）以獨(dú)特的性器具及淫樂(lè)房間而響負(fù)盛名。一直以來(lái)，剛哥對(duì)少主五姑娘早存愛(ài)意，無(wú)奈五姑娘對(duì)他總是若即若離。剛哥徒兒阿逸（劉的之飾）自小跟隨師父在青樓工作，為人正義，對(duì)被逼賣入嘗樂(lè)坊且慘受五姑娘酷刑虐待的雛妓小青（程雪雁飾）心有好感，終日希望能夠營(yíng)救美人脫離火海，可是始終有心無(wú)力。怎料在一次陰差陽(yáng)錯(cuò)下，竟在嫖客手上奪走小青初夜，因而遭小青誤以為逸乃乘人之危的小人。另一方面，城中出現(xiàn)了一名采花大盜（徐錦江飾），專向青樓姑娘埋手，小青不幸竟成了淫盜的獵物，最終得五姑娘及逸出手相助，才幸免于難，惟正當(dāng)嘗樂(lè)坊眾人慶祝之際……
為你推薦
母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯第二次世界大戰(zhàn)期間，一個(gè)被困在菲律賓的年輕女孩發(fā)現(xiàn)，她保護(hù)她垂死的母親的責(zé)任，因?yàn)樗e(cuò)誤地信任一個(gè)迷人的食肉仙女而變得復(fù)雜。
脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫(kù),蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內(nèi)斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen KelifAz 在 Sète（法國(guó)南部）的一個(gè)牡蠣養(yǎng)殖場(chǎng)工作，他非常熟悉牡蠣，曾打開過(guò)成百上千個(gè)，一天，他決定藏一枚戒指在其中一只牡蠣中，向他的女友 Jess 求婚，但是對(duì)方?jīng)]有答應(yīng)。不過(guò)幸運(yùn)的是，他的一群朋友已經(jīng)準(zhǔn)備好幫他重新振作起來(lái)。 Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
競(jìng)時(shí)出擊
王韜,魏小歡,江佳桐,李江瑤刑警沈佳明、吳艷和康業(yè)在破獲一宗跨國(guó)重案后，卷入一系列離奇命案。首名死者孫成剛車禍身亡疑點(diǎn)重重，隨后女子孔思思也遭遇不測(cè)。警方發(fā)現(xiàn)兩名受害者均與醫(yī)院器官捐獻(xiàn)系統(tǒng)存在關(guān)聯(lián)，而醫(yī)院器官捐獻(xiàn)協(xié)調(diào)員糜芳、醫(yī)生馬玉茹以及等待器官移植的羅永軍兄妹皆被卷入漩渦。就在刑警們分頭追兇時(shí)，第三名潛在受害者已危在旦夕。吳艷與時(shí)間賽跑，阻止了一場(chǎng)高空謀殺，卻發(fā)現(xiàn)真兇竟藏于最意想不到的身邊。
情報(bào)2025
許成泰,趙福來(lái)Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒(méi)過(guò)一會(huì)兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來(lái)到餐桌前。此時(shí)，她的老公已經(jīng)起床，正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個(gè)包子，可剛一張嘴包子便大哭了起來(lái)。不知為何包子有了生命，而倍感孤獨(dú)的女主人格外開心，于是將包寶寶當(dāng)做自己的孩子撫養(yǎng)。小包子一天天長(zhǎng)大，他起初和女主人分外親近，但是他漸漸有了自己的個(gè)性，渴望獨(dú)立，渴望遠(yuǎn)行……本片是《超人總動(dòng)員2》的貼片短片，榮獲奧斯卡電影金像獎(jiǎng)最佳動(dòng)畫短片獎(jiǎng)。
再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev前特種部隊(duì)隊(duì)員丹尼被迫重返一座偏遠(yuǎn)孤島。一個(gè)殘暴又隱秘的組織為了報(bào)復(fù)，綁架了他的女兒亞歷克斯，并布下天羅地網(wǎng)，對(duì)他展開一場(chǎng)步步緊逼、針對(duì)他所有行動(dòng)都早有準(zhǔn)備的殘酷獵殺。